BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Spazio Arte Contemporanea - ECPv6.15.17//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Spazio Arte Contemporanea X-ORIGINAL-URL:https://www.spazioartecontemporanea.com/en/ X-WR-CALDESC:Events for Spazio Arte Contemporanea REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20191027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20190101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240127T170000 DTEND;TZID=Europe/Rome:20240127T213000 DTSTAMP:20260418T163407 CREATED:20240111T202152Z LAST-MODIFIED:20240709T132012Z UID:16902-1706374800-1706391000@www.spazioartecontemporanea.com SUMMARY:Inaugurazione e premiazione Premio Luigi Candiani – Artisti Affermati DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-artisti-affermati/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/11/PRIZE-sito-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240127T080000 DTEND;TZID=Europe/Rome:20240224T170000 DTSTAMP:20260418T163407 CREATED:20240121T133218Z LAST-MODIFIED:20240711T092301Z UID:18171-1706342400-1708794000@www.spazioartecontemporanea.com SUMMARY:Luigi Candiani Prize - Well-known Artists DESCRIPTION:January 27 – February 24\, 2024 \n“Luigi Candiani Prize” finalists’ collective exhibition \nSAC – Spazio Arte Contemporanea\, after the contest “Luigi Candiani Prize”\, is proud to announce the first collective exhibition with the finalists’ artworks of the category Well-known Artists.\nThe topic of the first edition of Luigi Candiani Art Prize of 2022/2023 is “An aware future”.\nThe selected artists realized some artworks using the admitted art techniques: painting\, sculpture\, art installation\, photography\, video art\, short film\, performance\, digital art\, digital graphics and cartoon. \nARTISTS\n\nEzio Arosio\nSerena Battisti\nClaudio Benzoni\nNicola Bertellotti\nAlessandro Botti\nAlessandra Calò\nGiulia Ceccarani\nLuigi Festa\nDavide Gualtieri\nAsako Hishiki\nAlberto Magrin\nFederica Pamio\nHylde Salerno\nLucia Simone\nGiulia Spernazza\nMatteo Suffritti\nLuca Zanta\nStefano Zaratin – vincitore primo premio\n\n\n \n \n \n \n \n \n Ezio Arosio\n \n \n \n \n \n Serena Battisti\n \n \n \n \n \n Claudio Benzoni\n \n \n \n \n \n Nicola Bertellotti\n \n \n \n \n \n Alessandro Botti\n \n \n \n \n \n Alessandra Calò\n \n \n \n \n \n Giulia Ceccarani\n \n \n \n \n \n Luigi Festa\n \n \n \n \n \n Davide Gualtieri\n \n \n \n \n \n Asako Hishiki\n \n \n \n \n \n Alberto Magrin\n \n \n \n \n \n Federica Pamio\n \n \n \n \n \n Hylde Salerno\n \n \n \n \n \n Lucia Simone\n \n \n \n \n \n Giulia Spernazza\n \n \n \n \n \n Matteo Suffritti\n \n \n \n \n \n Luca Zanta\n \n \n \n \n \n Stefano Zaratin URL:https://www.spazioartecontemporanea.com/en/evento/premio-luigi-candiani-artisti-affermati/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/06/PREMIO-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240121T143000 DTEND;TZID=Europe/Rome:20240121T193000 DTSTAMP:20260418T163407 CREATED:20240111T202005Z LAST-MODIFIED:20240709T132043Z UID:17342-1705847400-1705865400@www.spazioartecontemporanea.com SUMMARY:Finissage Segni - mostra personale di Alessandro Negri DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/finissage-segni-mostra-personale-di-alessandro-negri-2/ CATEGORIES:Finissage ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240121T143000 DTEND;TZID=Europe/Rome:20240121T193000 DTSTAMP:20260418T163407 CREATED:20240111T202005Z LAST-MODIFIED:20240709T132043Z UID:16899-1705847400-1705865400@www.spazioartecontemporanea.com SUMMARY:Finissage Segni - mostra personale di Alessandro Negri DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/finissage-segni-mostra-personale-di-alessandro-negri/ CATEGORIES:Finissage ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20231202T203000 DTEND;TZID=UTC:20231202T230000 DTSTAMP:20260418T163407 CREATED:20231124T153207Z LAST-MODIFIED:20240709T131654Z UID:17341-1701549000-1701558000@www.spazioartecontemporanea.com SUMMARY:Giorgio Magistroni & friends DESCRIPTION:Una serata in musica con Giorgio Magistroni ed altri musicisti del Teatro alla Scala di Milano\, nella cornice della mostra Segni\, personale antologica di Alessandro Negri. \n  \nSabato 2 dicembre 2023\, apertura spazio ore 20.30\, inizio concerto ore 21.00. URL:https://www.spazioartecontemporanea.com/en/evento/giorgio-magistroni-friends-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20231202T203000 DTEND;TZID=UTC:20231202T230000 DTSTAMP:20260418T163407 CREATED:20231124T153207Z LAST-MODIFIED:20240709T131422Z UID:16869-1701549000-1701558000@www.spazioartecontemporanea.com SUMMARY:Giorgio Magistroni & friends DESCRIPTION:Una serata in musica con Giorgio Magistroni ed altri musicisti del Teatro alla Scala di Milano\, nella cornice della mostra Segni\, personale antologica di Alessandro Negri. \n  \nSabato 2 dicembre 2023\, apertura spazio ore 20.30\, inizio concerto ore 21.00. URL:https://www.spazioartecontemporanea.com/en/evento/giorgio-magistroni-friends/ CATEGORIES:Music END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231111T163000 DTEND;TZID=Europe/Rome:20231111T213000 DTSTAMP:20260418T163407 CREATED:20231018T120542Z LAST-MODIFIED:20240709T132012Z UID:17340-1699720200-1699738200@www.spazioartecontemporanea.com SUMMARY:Gesture opening - Alessandro Negri personale exhibition DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/opening-signs-alessandro-negri-personale-exhibition-2/ CATEGORIES:Opening ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231111T163000 DTEND;TZID=Europe/Rome:20231111T213000 DTSTAMP:20260418T163407 CREATED:20231018T120542Z LAST-MODIFIED:20240709T132012Z UID:16801-1699720200-1699738200@www.spazioartecontemporanea.com SUMMARY:Gesture opening - Alessandro Negri personale exhibition DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/opening-signs-alessandro-negri-personale-exhibition/ CATEGORIES:Opening ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231111T163000 DTEND;TZID=Europe/Rome:20231111T213000 DTSTAMP:20260418T163407 CREATED:20231018T120105Z LAST-MODIFIED:20240709T132012Z UID:17339-1699720200-1699738200@www.spazioartecontemporanea.com SUMMARY:Inaugurazione Segni - mostra personale di Alessandro Negri DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-segni-2/ CATEGORIES:Opening ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231111T163000 DTEND;TZID=Europe/Rome:20231111T213000 DTSTAMP:20260418T163407 CREATED:20231018T120105Z LAST-MODIFIED:20240709T132012Z UID:16797-1699720200-1699738200@www.spazioartecontemporanea.com SUMMARY:Inaugurazione Segni - mostra personale di Alessandro Negri DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-segni/ CATEGORIES:Opening ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231111T080000 DTEND;TZID=Europe/Rome:20240121T170000 DTSTAMP:20260418T163407 CREATED:20241106T105814Z LAST-MODIFIED:20241114T105731Z UID:18739-1699689600-1705856400@www.spazioartecontemporanea.com SUMMARY:Gesture DESCRIPTION:Alessandro Negri’s solo exhibition\n11th November 2023 – 21st January 2024 \nAlessandro Negri’s solo exhibition collects the artist’s artworks from 1967 to 2023\, illustrating all the important stages of the painter lifetime work. Negri left a mark in Robecchetto con Induno history. \nThe natural shapes troughout their tangles had always touched the artist’s imaginary and Negri uses these tangles as a personal style. He included them in domestic places from the beginning of his career and he has introduced them as knots between feminine and masculine human figures\, branches and roots since few years ago.\nThe pictorial gesture represents the way nature is affected over time. The canvas is not more a static support\, but it represents the background of a complex of images in transformation\, these images projected in motion towards the observer.\nThe earthy colours fill up the first paintings underlinig the tight correlation between the artist and the depicted landscape. Throughout the years these colours become more dilute and varied\, they are enriched by drops that cut the canvas vertically. In the late paintings Negri uses white\, black and purple tempera that only partially cover the canvas\, creating many empty spaces on the surface. \nThe artwork composition becomes from packed to essential\, human figures seem to dance on canvas showing their movements through Negri’s rapid and confident gesture \n \nBIOGRAPHY\nAlessandro Negri\, was born in 1936\, he lives and works in Robecchetto con Induno\, Milan.\nHe studied at Brera Art Accademy\, attending the nude painting class and he also attended the Public Institute of Art of the Sforza Castle in Milan.\nHis youth is largely influenced by the figurative art tendencies of the postwar period. These are the years of Morlotti’s art\, the naturalism of matter\, of Birolli and Capogrossi and the importance of their scratch. These are the 60’s\, the decade of the abstract expressionism of Pollock and de Kooning\, the pioneers of Pop Art.\nDuring Negri maturity\, the artist switches from figurative paintings to gesturality and scratch dynamism. The subjects he portayes become rarefied\, they are restricted into a geometric order.\nHis scratch is a defence of the figure against space. Negri’s art is strictly tied to the countryside in which he lives\, nature is the most important recurring theme of his artworks. \nBIOGRAPHIC NOTES \n1964 – sala espositiva Delle Fonti\, Boario Terme\n1965 – Studi della Cappa\, Milano\n1965 – sala espositiva Delle Fonti\, Boario Terme\n1967 – Centro Culturale Vercellese\, Milano\n1967 – Galleria Albizzati\, Abbiategrasso\n1968 – Galleria Merlo\, Vigevano\n1969 – Galleria la Cornice\, Legnano\n1969 – Galleria Merlo\, Vigevano\n1971 – Galleria la Cornice\, Legnano\n1975 – Galleria la Cornice\, Legnano\n1998 – sala A.V.I.S.\, ex Chiesa\, Noli\n1998 – sala Consigliare\, Celle Ligure\n1999 – sala espositiva I.A.T.\, Arenzano\n1999 – Biblioteca Civica\, Arenzano\n2002 – sala Consigliare\, Premià De Dalt\, Barcellona\n2002 – Galleria d’arte 2000\, Milano\n2003 – sala Consigliare\, Pontinvrea\n2003 – sala Consigliare\, Robecchetto con Induno\n2006 – Villa Cambiaso\, Savona\n2006 – Biblioteca Civica\, Arenzano\n2007 – mostra di Alessandro Negri e Daniel Tavares\, Sala Consigliare\, Celle Ligure\n2007 – sala espositiva a Sbragi\, Cogoleto\n2011 – Laboratorio Sperimentale Arti Visive\, Milano\n2012 – mostra personale “Segni e trasformazioni dell’esistenza”\, Hotel Due Mari\, Sestri Levante\n2013 – “Il concerto mistico della natura”\, Palazzo Robellini\, Acqui Terme\n2013 – mostra personale “Dissolvenze”\, Spazio Espositivo Sant’Erasmo\, Sestri Levante\n2016 – mostra di Alessandro Negri e Igor De Marchi “La luce attraversa il nero e altri colori”\, Castello di Galliate\n2017 – “Grovigli”\, Spazio E\, Ghemme\n2018 – mostra collettiva “L’immagine e il sogno nell’arte”\, Buscate\n2019 – mostra collettiva “Espressione libera”\, SAC – Spazio Arte Contemporanea\, Robecchetto con Induno\n2020 – mostra collettiva “L’umano\, tema e variazioni”\, SAC – Spazio Arte Contemporanea\, Robecchetto con Induno \nSITO WEB:www.alessandronegri.net\nEMAIL: negrial36@gmail.com\nINSTAGRAM: negrial36\nFACEBOOK: Alessandro Negri \nSAC\nWeb: www.spazioartecontemporanea.com\nMail: info@spazioartecontemporanea.com\nIg: spazio_arte_contemporanea\nFb: Spazio Arte Contemporanea \n  \nIn Negri’s artworks we always find a representation of tangible things\, from the nudes and the human figures of the academic studies to the Ticino and Sesia Valleys and rare Liguria landscapes\, from these subjects to fascinating shapes of plant life at which his inspiration frequently leads to. In his paintings Nature plays the leading role and it is depicted through its aesthetic value\, excluding any ideological and symbolic intent.  A bush\, a tangle of foliage\, a contorted roots knot become sources of the artist’s inspiration and lead him to examine and fix fleeting light effects\,  suggestive chromatic mixtures and a chaotic but at the same time harmonic tangling up of lines \nGiuseppe Castoldi \nTrees knots\, intricate roots\, grapevine tangles constitute the world of Negri imaginary and inspiration in which the artist hides himself. The artist knows every secret of this hidden world. Alessandro has tryed to understand the vitality of the mysterious plant life since he was a child. He concentrated on it in order to understand the sense of hidden life as Piranesi did.\nAlessandro analyses and re-elaborates the natural world he observes using discipline and order. He seems to play the role of a naturalist that studies life\, he acts like an entomologist that examines the immense insects world\, he behaves like a geologist that investigate the subsoil. Alessandro investigates all the aspects that the human mind conceals.\nRoots spread like our senses throughout mysterious roads\, covertly chasing life essence\, depicting at the same time waves to be discovered\, wefts that are baffling and sensitive like our soul. \nDott.ssa Maria Grazia Vanola  \nThe gestural capability in depicting the natural and human subjects touches the observer. The artist act represents the way Negri projects himself in order to be recognizable as a man of his historical period. The artist behavior seems to be uncontrollable if we superficially analyze it. As a matter of fact there is a huge capability of the artist to address his behaviour to the final result\, in a mutual dialogue between gaze and movement that permits to share an emotional universe. This universe becomes a vibration and an emotion and trace back to the persons we are\, to the artist himself who is the only actor who is able to let us participating to our gnosiological and practical integrity. \nFederica Mingozzi  \nAlessandro Negri has never been influenced by temporary trends. He has always been coherent\, he has never genuflected to the art consumerism\, to the celebrity as a goal. As every artist he meditates on other artists works. Analysing Negri’s art\, I think about Mondrian’s tree \, which was transformed by the artist in a lattice of improbable shapes. This lattice led the artist to a true and extreme physical and ethical abstraction that made the reality\, also the invisible one\, more rational and readable.\nNegri reveals the mystery hidden in human dreams throughout his infinite calls to natural shapes. Everything turns into new shapes. Human bodies seems to methodically deform.\nVarious shapes assume appearances that only art can make comprehensible. They become poetry while they are naturally perceived. \nMario Carnaghi \nThe shots are important in your paintings\, they beat time like a metronome.\nThey stand your ground to your will to go in depth\, they make every artistic period unexpectedly ending with a revival characterized by a silent and sly break.  Closing a period means for you to come back.\nCome back to your path\, to the roots of your gesture and paintings that\, as I told you once\, are digged into the canvas.\nIt is not a coming back to proceed\, but a process of reviewing and chasing images on more time.\nShapes \, details that represent the artist in his youth as a lover of beauty and nature. \nGianmaria Garavaglia URL:https://www.spazioartecontemporanea.com/en/evento/gesture/ CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/10/DSC9176-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230923T180000 DTEND;TZID=Europe/Rome:20230923T210000 DTSTAMP:20260418T163407 CREATED:20230904T114032Z LAST-MODIFIED:20240709T132012Z UID:17338-1695492000-1695502800@www.spazioartecontemporanea.com SUMMARY:Inaugurazione e premiazione Premio Luigi Candiani – Street Art DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-street-art-2/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/06/1-2-premio-luigi-candiani.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230923T180000 DTEND;TZID=Europe/Rome:20230923T210000 DTSTAMP:20260418T163407 CREATED:20230904T114032Z LAST-MODIFIED:20240709T132012Z UID:16757-1695492000-1695502800@www.spazioartecontemporanea.com SUMMARY:Inaugurazione e premiazione Premio Luigi Candiani – Street Art DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-street-art/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/06/1-2-premio-luigi-candiani.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230923T080000 DTEND;TZID=Europe/Rome:20231021T170000 DTSTAMP:20260418T163407 CREATED:20230903T122801Z LAST-MODIFIED:20240711T093037Z UID:18173-1695456000-1697907600@www.spazioartecontemporanea.com SUMMARY:Luigi Candiani Prize - Street Art DESCRIPTION:September 23 – October 21\, 2023 \n“Luigi Candiani Prize” finalists’ collective exhibition\nSAC – Spazio Arte Contemporanea\, after the contest “Luigi Candiani Prize”\, is proud to announce the first collective exhibition with the finalists’ artworks of the category Street Art.\nThe topic of the first edition of Luigi Candiani Art Prize of 2022/2023 is “An aware future”.\nThe selected artists created projects for a wall painting to be realized on a wall inside SAC’s property. \nWINNER PROJECT\nSPORE – Egeon \nARTIST’S RESIDENCE\nIL VELO DI MAYA – Kabo \nPROJECTS EXHIBITION \n\nMarco Alpi\nFijodor Benzo\nStudio Creativo Brezza\nMirko Loste Cavallotto\nEgeon\nAlice Lotti\nFrancesco Quadri\nGabriele Quarta Kabo\nKiki Skipi\nFilippo Mozone Tonni URL:https://www.spazioartecontemporanea.com/en/evento/premio-luigi-candiani-street-art/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/06/PREMIO-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230624T180000 DTEND;TZID=Europe/Rome:20230624T220000 DTSTAMP:20260418T163407 CREATED:20230601T130917Z LAST-MODIFIED:20240709T132012Z UID:17336-1687629600-1687644000@www.spazioartecontemporanea.com SUMMARY:Inaugurazione e premiazione Premio Luigi Candiani – Giovani Artisti DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-giovani-artisti-3/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/11/PRIZE-sito-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230624T180000 DTEND;TZID=Europe/Rome:20230624T220000 DTSTAMP:20260418T163407 CREATED:20230601T130917Z LAST-MODIFIED:20240709T132012Z UID:16644-1687629600-1687644000@www.spazioartecontemporanea.com SUMMARY:Inaugurazione e premiazione Premio Luigi Candiani – Giovani Artisti DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-giovani-artisti/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/11/PRIZE-sito-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230624T180000 DTEND;TZID=Europe/Rome:20230624T220000 DTSTAMP:20260418T163407 CREATED:20230601T130917Z LAST-MODIFIED:20240709T132012Z UID:17337-1687629600-1687644000@www.spazioartecontemporanea.com SUMMARY:Inauguration and award ceremony\, Luigi Candiani Prize - Young Artists DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-giovani-artisti-4/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/11/PRIZE-sito-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230624T180000 DTEND;TZID=Europe/Rome:20230624T220000 DTSTAMP:20260418T163407 CREATED:20230601T130917Z LAST-MODIFIED:20240709T132012Z UID:16657-1687629600-1687644000@www.spazioartecontemporanea.com SUMMARY:Inauguration and award ceremony\, Luigi Candiani Prize - Young Artists DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/inaugurazione-e-premiazione-premio-luigi-candiani-giovani-artisti-2/ CATEGORIES:Opening ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/11/PRIZE-sito-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230624T080000 DTEND;TZID=Europe/Rome:20230722T170000 DTSTAMP:20260418T163407 CREATED:20230615T122448Z LAST-MODIFIED:20240711T093437Z UID:18176-1687593600-1690045200@www.spazioartecontemporanea.com SUMMARY:Luigi Candiani Prize - Young Artist DESCRIPTION:June 24 – July 22\, 2023 \n“Luigi Candiani Prize” finalists’ collective exhibition\nSAC – Spazio Arte Contemporanea\, after the contest “Luigi Candiani Prize”\, is proud to announce the first collective exhibition with the finalists’ artworks of the category Young Artists.\nThe topic of the first edition of Luigi Candiani Art Prize of 2022/2023 is “An aware future”.\nThe selected artists realized some artworks using the admitted art techniques: painting\, sculpture\, art installation\, photography\, video art\, short film\, performance\, digital art\, digital graphics and cartoon. \nARTISTS\n\nMarco Alpi\nAlice Bertolasi\nMatteo Brigo\nPaola Cenati\nNoemi Comi\nPietro Desirò\nClaudia Di Francesco\nSofia Fresia\nMaddalena Granziera\nRovers Malaj\nMattia Mancosu\nLisa Martignoni\nVittorio Menditto\nFrancesco Morresi\nGiampaolo Parrilla\nLena Shaposhnikova\nIrene Stellin\nZeroscena e Silvia Francis Berry – vincitori primo premio\nFederica Zianni\n\n  \n\n \n \n \n \n \n \n Marco Alpi\n \n \n \n \n \n Alice Bertolasi\n \n \n \n \n \n Matteo Brigo\n \n \n \n \n \n Paola Cenati\n \n \n \n \n \n Noemi Comi\n \n \n \n \n \n Pietro Desirò\n \n \n \n \n \n Claudia Di Francesco\n \n \n \n \n \n Sofia Fresia\n \n \n \n \n \n Maddalena Granziera\n \n \n \n \n \n Rovers Malaj\n \n \n \n \n \n Mattia Mancosu\n \n \n \n \n \n Lisa Martignoni\n \n \n \n \n \n Vittorio Menditto\n \n \n \n \n \n Francesco Morresi\n \n \n \n \n \n Giampaolo Parrilla\n \n \n \n \n \n Lena Shaposhnikova\n \n \n \n \n \n Irene Stellin\n \n \n \n \n \n Zeroscena e Silvia Francis Berry\n \n \n \n \n \n Federica Zianni URL:https://www.spazioartecontemporanea.com/en/evento/premio-luigi-candiani-giovani-artisti/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/06/PREMIO-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230511T080000 DTEND;TZID=Europe/Rome:20230511T080000 DTSTAMP:20260418T163407 CREATED:20240709T122018Z LAST-MODIFIED:20240711T094611Z UID:18178-1683792000-1683792000@www.spazioartecontemporanea.com SUMMARY:Blue Renaissance DESCRIPTION:March 11 – May 20\, 2023 \nGiuseppe Barilaro solo exhibition\nBlue has antiseptic\, astringent\, and anesthetizing properties: it is used to salve symptoms of warmth\, in those moments when the blood pools in the capillaries\, feverishly seeking a way to leave the body. For Barilaro\, blue represents salvation while red has conquered the mind and overwhelmed it with the sacred fire of inspiration. \nIn a time of intimate reflection on the beauty of women and peace of mind\, architectures of the Renaissance age carry the observer’s eyes up to the sky. \nBlue. Elegant\, with a noble past\, blue appears gentle on the canvas\, lowering the blood pressure\, calming the breath and slowing the heartbeat. That dim light that precedes the dawn as embraced by the waves of the sea becomes itself a metaphysical representation of logos\, not by chance the colour blue is even used to represent throat chakra. \nCold’s frozen patience reconciles with the old anguish of comparing oneself to the greats of the past. \nVain anabasis understood it not as an imitation of what was seen in Florence or Urbino\, nor as a grotesque reference\, but as the ability to identify\, define\, and separate what has been poisonous and harmful from what will not be. \nArtWorks that become a purifier alchemical flash\, that confuse the torn wings of demons and cherubs in human miseries\, testing the existing calm and the later doubt. \nAbysses that are impossible to be scrutinized from the bottom\, like the great mystery of the feminine principle. Here is the woman\, the tutelary deity of an introspective path\, between old and new paradigms of art\, full of symbols\, powerful but also intimate\, perpetually in oscillation between the heaviest materiality and the vaguest transcendence. \nThe blue of the lip color after the exitus\, the hagiography that pervades the backgrounds of Michelango’s Sistine Chapel. \nThe artist represents a society exhausted by the rape from the altarpiece\, following the natural evolution of the form\, and yet continuing the search for a line that can trace Giotto\, Cavallini\, Simone Martini\, imprinting their own distinctive sign through the gash and the scratch\, the flame. \nThe discovery and deepening of different artistic techniques born in the same Bergsonian thought that explodes in seemingly disconnected subjunctives. \nThe drapery of the Renaissance halls and the mysterious dresses of the ladies of the court\, return in a modern key through the laceration of the material. \nFor this exhibition at SAC\, given the majesty of the spaces\, the artist intends to show all visitors an intimate\, collected\, secret part of the soul\, displayed through the alternation of large canvases with tiny gems\, small windows to private worlds\, infinitesimal glimmers of memories and hopes. This together with the inevitable bees\, creates unexpected considerations with strong far roots\, that buzz in the mind. \nCurated by Ottavio Porto  \n\n \n \n \n \n \n \n \n \n \n\nARTIST BIOGRAPHY \nGiuseppe Barilaro\, Catanzaro – July 16\, 1988\, Barilaro’s formal education began at the Art Institute of San Giovanni in Fiore\, before he earnt his degree at the Catanzaro School of Fine Art in 2017. He began to present his work originally in 2012\, when he was selected by Andrea Romoli Barberini and Wang Lin to exhibit in Xi’an\, China and also at the Palazzo Ducale in Cosenza. He then went on to win the National Prize of the Arts in Italy in 2013\, regarded as ‘the best student in painting’ by the MUIR. \nOver the following years Barilaro exhibited across Italy. In 2015\, he participated in the international prize Limen Arte and in the Venice Biennale; in 2017 he exhibited in Rome\, Milan and Livorno. \nHe won the National Arti-MIUR Award with his representation of “Christ Exposed to Confession”. \nCurrently For Barilaro currently\, these years focused on the explosion of the colour red\, presented through the mixtures of resins\, glues\, and colours\, and the subject of conceptual metamorphoses in juxtaposition with the combustion process\, the essence of matter. \nHe now works as a professor at the”G.B. Garbin” in Vincenza and exhibits in galleries around the world\, from Iran\, passing through China\, up to New York\, where two works were purchased and presented by a museum. \nEver interested in experimentation\, fire\, and the dynamics of transcendence\, Barilaro has started to take part in the world of NFTs that he creates both for sale and as a consideration of copyright. In early 2022\, he presented a personal exhibition at the Monumental Complex of San Giovanni entitled “The Oblivion of the Bodies” curated by Lorenzo Canova and he finished the year with a presentation at Art Basel in Miami. \nFrom March 2023 untill May\, he is presenting the solo exhibition “Blue Renaissance” curated by Ottavio Porto\, at SAC (Milan) and in the summer\, with the patronage of the art critic Martina Cavallarin\, Barilaro will join the protagonists of a group show in Lecce. \nCONTACT\nInstagram: giuseppebarilaro_official\nFacebook: Giuseppe Barilaro\ngiuseppebarilaro_official URL:https://www.spazioartecontemporanea.com/en/evento/blue-renaissance/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2023/03/photo1677679755-1.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221203T080000 DTEND;TZID=Europe/Rome:20230223T170000 DTSTAMP:20260418T163407 CREATED:20221202T131036Z LAST-MODIFIED:20241108T094235Z UID:18736-1670054400-1677171600@www.spazioartecontemporanea.com SUMMARY:Profiles DESCRIPTION:December 3\, 2022 – February 26\, 2023 \nProfiles draw boundaries\, they outline different shapes among themselves\, they extend from humans to inanimate objects\, cities and landscapes\, characterizing and identifying each defined subject.\nProfiles are marked stretches that fade into wider areas\, curved and angular concrete lines to be traced with fingers\, to be reviewed with the imagination in order not to miss any detail.\nEach of them is so personal that it becomes a descriptive peculiarity of the subject\, that could not be himself or exist without it. \nARTISTS\nErica Conti\nPietro Dente\nAnnalisa Filippi\nElena Monzo\nGiulia Nelli\nFrancesco Quadri URL:https://www.spazioartecontemporanea.com/en/evento/profiles/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/11/post-1-Copia-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220924T080000 DTEND;TZID=Europe/Rome:20221120T170000 DTSTAMP:20260418T163407 CREATED:20240709T102541Z LAST-MODIFIED:20241108T094028Z UID:18734-1664006400-1668963600@www.spazioartecontemporanea.com SUMMARY:The soul of places  DESCRIPTION:September 24 – November 20\, 2022  \nLucrezia Minerva solo exhibition\n“The Soul of Places” is an exhibition composed by artworks created by Minerva Lucrezia\nfrom 2018 to today.\nThe exhibition explores and investigates the identity of the soul by extending it to places.\nA place is intended not only as a strictly physical one but it is considered by its relationship between ‘inside’ and ‘outside’\, between micro and macro.\nThe artist does not violate the entity of the place and composes SAC space conceiving it as a large (macro) envelope of smaller (micro) environments.\nThe overall minimal composition conveys the idea of order\, the idea of an empty place\, and at the same time of an intense and disorganized activity that develops inside the place.\nThe installation ‘In’ and ‘Out’ (2022) was created to continue the visually and spatially investigation of the central theme of the exhibition: the interconnection between external and internal\, between perceiving and elaborating the primary essence of what we experience as an event\, place\, object in an intimate and personal way. \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\nARTIST BIOGRAPHY\nLucrezia Minerva was born in Milan in 1977\, she graduated at the Umberto Boccioni’s art high school and she attended the Polytechnic University of Architecture of Milan for two years.\nIn the following period she handled scenic design and decoration.\nHer first artworks and artistic studies started in 2017 and they were the result of converging passions and backgrounds of architecture\, photography\, painting\, philosophy\, physics\, nature and spirituality.\nThe artist inspects mystic\, philosophical\, spiritual and scientific matters that she believes they compose natural\, human and cosmic life\, she hopes for a more aware and deep vision that connects the Ego to a universal spirituality and to the nature of things.\nThe crux of Minerva’s studies consists of an existential analysis\, an incessant process of digging the human consciousness and the world perception. This analysis is transposed into her creative work.\nMinerva gives importance to the idea that typifies her work overstepping the matter formality without however losing the three conducting subjects dear to the artist. \nThe first one is represented by the contrast of black and white\, light and shadow\, instinctive gesture and control\, geometric perfection and imperfection\, repetition and singularity\, symmetry and randomness. \nAn harmonic dance between opposites.\nThe second one focuses on the relationship between space and time. The space is conceived both in a visual-technical-tangible way rendered through perspective\, multiple surfaces\, volumes\, sense of depth and in an empirical-interior-potential regarding to the “self”\, projected towards introspection\, evolution and analysis.\nTime is characterized by two polarities\, one narrating the contemporary era\, the other concerning an inner meditative transcendence which is suspended\, silent\, almost nullified.\nA relationship between outer space-time (the environment) and inner space-time (the ego).\nThe third subject is based on the idea that reality is not as it appears.\nThe artist likes to give different points of view to her artworks\, revealing new aspects or simply deepening and going beyond formal\, mental\, sensorial\, knowledge conjectures in order to broaden the horizon to other truths.\nIt is by crossing these subjects that Lucrezia Minerva investigates\, searches\, discovers and observes the Universe\, that exists inside and outside human being.\nDepending on the project or concept expressed\, the means of communication change from painting to sculpture\, installation and photography; the same happens with materials: marble\, paper\, plexiglass\, jute\, canvas\, light\, technology tools.\nCurrently\, the artist\, is working on the idea of ‘simple’\, approaching the concept of simplicity as a solved complexity. \nEXHIBITION and PRIZES\n2017 – Galata Museum\, Genova\, curated by Gabriele Buratti.\n2019 – “Beyond the visible” curated by Brerauno Gallery\, Medieval Tower\, Corbetta.\n2019 – Paratissima\, Torino.\n2019 – “Inverart” curated by Francesco Oppi and Brera Academy of Milano.\n2019 – “Beyond the shape” curated by Matteo Olivares\, Quadrifoglio Gallery\, Rho.\n2020 – “Artist’s book” curated by Francesca Mariotti\, Palazzo Scroffa\, Ferrara.\n2020 – “Mater Nostra” curated by Franco Cipriano\, Palazzo Ferrari\, Parabita (Lecce).\n2021 – “Assonances\, discrepancies\, shapes and freedom of movement at the time of the new Renaissance” curated by Claudia Migliore\, Steam Factory\, Milan. \n1° photography black and white prize for the exhibition “Who says woman”\, Vigevano.\n1° photography Prize for the exhibition “A woman’s eye behind the lens”\, Pavia.\n2015 – tecnic painting prize “Young talents for Ferrara” dedicated to Michelangelo Antonioni.\n2018 – selected for Arte Mondadori magazine “Art Price”\, Cairo Editori.\n2018 – 1° prize at Fusion Arts V edition\, sculpture section. \nCONTACT\nInstagram: lucreziaminerva\nFacebook: Lucrezia Minerva\nwww.lucreziaminerva.it URL:https://www.spazioartecontemporanea.com/en/evento/the-soul-of-places/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/09/DSC_7674-Copia-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220713T080000 DTEND;TZID=Europe/Rome:20220731T170000 DTSTAMP:20260418T163407 CREATED:20220713T101116Z LAST-MODIFIED:20241108T093607Z UID:18731-1657699200-1659286800@www.spazioartecontemporanea.com SUMMARY:Rubbish DESCRIPTION:July 13 – July 31\, 2022  \nAnna Setola solo exhibition\n“Pattume” (”Rubbish”) is a project which collects poems written and illustrated by hand. It is my “waste sorting”\, aimed at capturing bits of my daily life in a few pages – sketched\, written or scribbled to bring order to my chaos. \nIn this book\, my hands seek to be a tad everywhere\, as much in what I say as in the way I try to say it. For this reason\, “Pattume” is entirely handwritten and contains all original erasures and corrections. Do not expect beauty from it\, it just wants to present itself as it is\, mere refuse. \nThis collection is a way to inspect my nudity\, to rummage through my things. It allows me to give voice to my hands\, and to try to look at books in a slightly different way\, perhaps more intimate\, perhaps more insolent. \n“Pattume” wants to be uncovered and smelled to express its own and my own voice\, talking not only – or not so much – about me\, but rather about what each of us feels\, both positive and negative. \nImperfection tastes a bit like ordinary life\, and that is the challenge that my project takes up. It does not claim to be beautiful or elegant\, but to talk about who we are and we could be beyond inheritance and conventions. Even if we are made of nothing but the latter\, the attempt is to look for us in constancy\, which is so much an elsewhere too.” \n– Anna Setola \n\n \n \n \n \n \n \n \n \n \n\nARTIST BIOGRAPHY\nMy name is Anna\, I’m 23\, I’ve got a dog\, a family\, some friends\, and a small world on my shoulders I’m trying to manage; in addition to a series of small other things.\nArt has always bent my back and wrecked my feet\, I started to appreciate art in my high school years.\nArt school let me experiment with techniques and learn about art and different ways to live it.\nYet that constant and continuous coexistence also leads to forgetting the necessity and produces a form of suffering and intolerance.\nThis is the reason why\, after high school\, I chose to continue my experimentation in the creative field without attending an art school\, I instead studied philosophy.\n“Art” is a word that is almost everywhere\, I believe\, from Caravaggio’s paintings to cigarette butts: it is more in the eyes than in the works.\nAnd art is human\, so human\, a roommate with a difficult character who rents skulls and rib cages here and there.\n“Art” is someone and not something. It’s her\, it’s not me.\nShe was my companion and dialogue during the quarantines: it was from our solitude and collaboration that “Rubbish” was born.\nShe dictated new words to me that sounded strange and that I accepted with submissiveness.\nOther words were ancient and had already been home. She mixed them and collected images that had fallen my way\, until finally build a small journey\, trying to be sincere in what simply and roughly we are together. \nCONTACT\nInstagram: enne.esse22\nhttps://www.behance.net/annasetola22 URL:https://www.spazioartecontemporanea.com/en/evento/rubbish/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/06/Tavola-disegno-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220507T080000 DTEND;TZID=Europe/Rome:20220625T170000 DTSTAMP:20260418T163407 CREATED:20220507T095650Z LAST-MODIFIED:20241108T093223Z UID:18727-1651910400-1656176400@www.spazioartecontemporanea.com SUMMARY:The dance of seasons  DESCRIPTION:May 7 – June 25\, 2022  \nVittorio Iavazzo solo exhibition\nOur biological cycle is part of nature as seasons are too\, and it is dictated by nature itself throughout time passing\, climate change and biodiversity that surrounds us. \nIn this solo exhibition Vittorio Iavazzo narrates the cycle of seasons not from a merely climatic point of view\, but describing it like “Seasons of the Soul”. \nEach man flutters during different phases of life\, since when he was born\, during his growth\, untill he dies. The rhythm of this dance is dictated by several ups and downs and the artist describes its notes using his draw to capture a range of emotions on a white piece of paper. \nSeasons of life are also influenced by our will and by our everyday choices. \nMan might reborn in spring as sprouts surrounded by tarmac and flowers from branches of a huge tree\, without surrendering to cold winter. \nMan can choose to shut himself in his own world waiting for spring to come or to face winter as a good farmer\, seeding for the next crop\, in order to embrace again the sun of the upcoming season. \n\n \n \n \n \n \n \n \n \n \n \n \n \n\nARTIST BIOGRAPHY\nVittorio Iavazzo was born in 1991 in Naples. In 2010\, motivated by a strong passion for art he applied to the Academy of Fine Arts in Naples\, where he graduated in 2014 in illustration.\nIn January 2017\, thanks to the project “Young Artists” supported by the Fondazione Mario Moderni\, holds his first “Outcast” solo exhibiton in Rome.\nSince 2018 he has been represented by the RvB Arts gallery in Rome.\nHis works in papier-mâché are appreciated and collected not only in Italy but also in: Austria\, Baharain\, Belgium\, United States\, Canada\, Costa Rica\, Denmark\, France\,Ireland\, Malta\, Netherlands\, Portugal\, United Kingdom\, Czech Republic\, San Marino\, Spain and Switzerland. \nEXHIBITION\nSolo Exhibitions \nJanuary 2017 – Outcast\, Galleria Moderni\, Rome\nJune 2017\, Icarus – Galleria Moderni\, Rome\nNovember 2017 – Guerrieri Contemporanei\, San Marino\nOctober 2018 – SGUARDI\, Spazio Onofri 57\, San Marino\nMay 2019 – Nella materia e oltre\, RvB Arts\, Rome\nJuly 2019 – Unveiled\, SeeBay Hotel\, Ancona\nJuly 2021 – Un Soffio di Vita\, Palazzo Cappuccini\, Naples \nCollective Exhibition \nNovember 2015 – XXVII Porticato Gaetano\, Gaeta (LT)\nMarch 2016 – Premio Centro Direzionale per l’Arte\, Naples\nJune 2016 – Segni svelati\, Scuderie di Palazzo Sansevero\, Naples\nJune 2017 – Biennart – Biennale Internazionale Umbertide (PG)\nAugust 2017 – Nott’Arte San Marino\, San Marino\nSeptember 2017 – Collectiv’Art\, Spazio Onofri 57\, San Marino\nJanuary 2018 – The Secret Garden\, Galleria RvB Arts\, Rome\nMay 2018 – MANI\, Galleria RvB Arts\, Rome\nNovember 2019 – FOUR2ONE\, Isorropia Home Gallery\, Milan\nMay 2021 – CANONE DOPPIO\,The Project Gallery\, Athens\, Greece\nSeptember 2021 – CANONE DOPPIO\, Palazzo Riso\, Palermo \nArt Fair \nNovember 2018 – GrandArt Fair\, The Mall\, Milan\nFebruary 2019 – Arte Genova\, Genova Fair\nApril 2021 – Affordable Online Art Fair\, RvB Arts\nApril 2022 – Arte Genova\, Genova Fair \nCONTACT \nInstagram: vittorio_iavazzo\nFacebook: VittorioIavazzoArtis\nwww.vittorioiavazzo.it URL:https://www.spazioartecontemporanea.com/en/evento/the-dance-of-seasons/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/04/La-danza-delle-stagioni-vittorio-iavazzo-art-sculptures-artista-work-in-progress-studio-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220409T080000 DTEND;TZID=Europe/Rome:20220430T170000 DTSTAMP:20260418T163407 CREATED:20220409T095318Z LAST-MODIFIED:20241114T104807Z UID:18725-1649491200-1651338000@www.spazioartecontemporanea.com SUMMARY:Tribute to Elio Bona DESCRIPTION:For Elio Bona\, painting has always been a matter of urgency\, not confined to a single technique. Watercolour\, however\, is the technique that is most used by the artist. Its characteristics make it “difficult” to work with because it does not allow for second thoughts. However this particular quality\, instead of increasing the value\, is often linked to the reductive concept of fast execution\, suitable at most for studies or sketches. For the artist\, however\, it is a technique that is not only complete but also exciting: indeed\, if anything\, it forces them to think first or to be in such a state of grace that no rethinking is necessary. The colour is delivered once\, by adding water to it\, loading or modifying it as the brush fills the spaces identified by the outline of a pencil: in doing so\, ensuring that it dries denser in some areas rather than others\, that it is uniform or enhanced with different shades. \n“My watercolours are all executed based on the real not to represent\, not to describe or even suggest\, but only to express the wish that every place\, every detail depicted\, is as it is depicted\, and remain as such forever\, and that the sum of my places and those details would become the world”. \nThe exhibition aims to pay tribute to the career of Elio Bona through a number of pieces that testify to his long and heterogeneous artistic path: from the 1960s to the 2000s\, from landscapes to architecture\, from the human figure to his characteristic watercolours that depict colourful and dreamlike fantasy scenes. \nIt is an exhibition to celebrate a man who has certainly left his mark on the history of Robecchetto con Induno and neighbouring municipalities\, as well as in the memory of people who\, over the years\, have known and appreciated Elio as an architect\, artist and\, above all\, as a friend. URL:https://www.spazioartecontemporanea.com/en/evento/tribute-to-elio-bona/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/03/Omaggio-Bona-2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220115T080000 DTEND;TZID=Europe/Rome:20220403T170000 DTSTAMP:20260418T163407 CREATED:20220115T104307Z LAST-MODIFIED:20241108T092608Z UID:18721-1642233600-1649005200@www.spazioartecontemporanea.com SUMMARY:Wolrds / Visions of the future DESCRIPTION:January 15 – April 3\, 2022 \nDiego Asperges solo exhibition \nThe art exhibition “Worlds” materialises an outer vision instructed by elements both of reality and imagination. These elements sink their roots into important concempts such as sustainability and awareness of the current and evolutionary planet stages.  \n“Worlds” revolves around this question: “Has the current physical Earth condition been ascribed to the extreme exploitation of the planet resources or to the cyclic nature of the Earth physical alteration as it happened in previous ages?”.  \nThe artist creates his art pieces pushed by this dilemma throughout a dreamlike journey\, fully releasing his expressive talent.  \nThe doable scenario that crosses the timeline from past to future has multiple facets that turn into the multiple terrestrial and alien globes wisely depicted by Asperges.  \nEnigmatic dumb monoliths rise above the scene\, driving the spectator throughout an immersive path of the artist’ world.  \nPlanet systems seem to be sustained by a precarious balance\, they fluctuate\, they brush against each other\, they light up reverberating their inner energy. These planet systems interchange with black holes which are gates used to cross space and time wall and to enter a parallel world in order to discover its peculiarities.  \n \nARTIST BIOGRAPHY\nDiego Asperges was born in Milan in april 22\, 1958. His family has always been related to art. His great-grandfather\, Guglielmo Da Re\, was a renowned painter and his father\, Italo\, was a miniaturist sculptor. \nDiego studied at Brera Art Academy and he started working in 1985 joining his father’s art laboratory. He focused on malleable materials in order to produce bronze and silver objects. He created prototypes for famous companies\, artists and international fashion brands. \nHe owned a detailed academic drawing know-how combined with a remarkable creativity. He became an eminent miniaturist sculptor. He focuses on resin sculpting.  He creates his own art since 2010\, when D.A.Arte by Diego Asperges was established as an association to pass down Diego’s Art. \nDiego’s artworks\, shown through “Free Expression” Exhibition at SAC\, depict the stylistic evolution of the artist that goes from the representation of a human being typified by android features to the depiction of current events like immigration\, ecology\, politics and virtual reality. A consideration that extends from the individual to the whole humanity. \nNatural and artificial landscapes are the setting of a not-edifying human intervention. Every good is produced\, exhausted and rejected in order to satisfy a temporary pleasure\, the natural rhythm is substituted by a chaotic anxiety that unsuccessfully tries to influence the unchangeable time flow. \nEXHIBITION\n2012 – Time of men\, solo exhibition at Villa Fumagalli-Principe\, Lugano\, Switzerland.\n2014 – Art in comparison\, collective exhibition at Spazio Papel\, Milan.\n2015 – collective exhibition for the great opening of Villa Plinia community\, Solzago di Tavernierio (Como).\n2017 – solo exhibition at Superstudio Più\,  during “Salone del Mobile” event in Milan.\n2019 – Free Expression\, collective exhibition at SAC Spazio Arte Contemporanea\, Robecchetto con Induno (MI).\n2021 – artist retrospective on Recycling Environment Sustainability\, Palazzo Bocconi\, Milan. \nCONTACT\nwww.diegoasperges.com\ndiegoasperges URL:https://www.spazioartecontemporanea.com/en/evento/wolrds-visions-of-the-future/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/01/2f-1-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20201030T080000 DTEND;TZID=Europe/Rome:20211119T170000 DTSTAMP:20260418T163407 CREATED:20211030T093233Z LAST-MODIFIED:20241108T091738Z UID:18718-1604044800-1637341200@www.spazioartecontemporanea.com SUMMARY:Levitating / Suspensions DESCRIPTION:October 30 – December 19 2021\nFrancesco Damiani solo exhibition \nThe organic sculptures of Francesco Damiani stretch out towards the space creating a dialogue with the spectator. The ensemble of full and empty volumes tells a story\, it tells both intimate and far tales.  \nThe abstraction of the subject shapes itself and goes beyond itself\, the lines become words\, the geometry becomes paragraphs reorganised into personal diaries.  \nThe sculpture comes out of the idea of its static nature and heaviness to turn into light suspensions\, made by modules that dovetail and reverberate each other\, modifying themselves in time and space.  \nThe used materials are playful in their colours and textures as they are experienced by our sight and touch. They evoke our childhood.  \nThe artist uses a large amount of cellulose and rubber dough\, the “light clay” employed by children in Orient to achieve familiarity with clay.  \nDamiani uses secondary shades to represent light through its refraction. Colours\, which are the result of a perceptual illusion\, grab the contemporary world vibrations and they infuse its tremor.  \nThe chemical studies of Damiani influence the artworks appearance with references to cellular morphology\, thin layers of organised matter and evolutionary forms that interrogate the limit between organic and living being.  \nThe sculptures integrate and perfectly conform to the surroundings\, revolutionising the space and blending with it into one\, creating novel shapes for the specific set-up.  \nThe exhibition title is inspired by the homonymous Dua Lipa’s song to refer to the pop inspiration of the artist\, revealed by colours\, playfulness and lightness of his artworks. They are so lightweight that they become alive and levitate in the air.  \nThe exhibition subheading “Suspensions” is a cross reference to Jhon Cage’s suspensions (The silence\, 1961) and refers to the chemical meaning of the word. A suspension is a dispersion\, an heterogeneous blend\, in which a solid phase with microscopic particle dimension dissolves into a dispersed liquid phase which is not able to sediment in a short period of time.  \nThe artist’s personal interpretation of the suspension is wait\, judgement postponement\, it means also the capability of being not in a rush\, to trust others and ourselves\, to concede freedom as his artworks are a freedom symbol. \n \nARTIST BIOGRAPHY\nFrancesco Damiani was born in Bari\, is now working in Emilia. He studied chemistry at Bari University and at Fiat Research Center in Torino. Art and design enthusiastic\, he attended Tam Tam school of Guerriero\, Mendini and Dalisi in Milan. He has been a collector adviser in the design field. Currently\, he dedicates himself to teaching and art. \nEXHIBITION\nI’m like you at 17\, QU4RANTAN9VE\, Reggio Emilia\, 2018.\nXXXX\, Galleria Samma\, Urbino\, 2020. \nCONTACT\nhttps://www.instagram.com/damiani.francesco1975/?hl=it\nhttps://www.francescodamianiartwork.com URL:https://www.spazioartecontemporanea.com/en/evento/levitating-suspensions/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/01/MG_0848-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20200912T080000 DTEND;TZID=Europe/Rome:20201115T170000 DTSTAMP:20260418T163407 CREATED:20200912T081813Z LAST-MODIFIED:20241108T091327Z UID:18715-1599897600-1605459600@www.spazioartecontemporanea.com SUMMARY:Human\, topic and variations DESCRIPTION:September 12 – November 15\, 2020 \nThis collective exhibition\, “Human\, theme and variations”\, focuses on the analysis of elements that characterize each individual: dream\, emotion\, the unconscious\, feelings.\nAll aspects that escape the control of contemporary man\, who cannot manage them through logic and defined rules and which nevertheless remain the only traits that characterize him\, recalling him to his nature. \n“We introduce this exhibition with the best guide tool of our time: statistics. It is with the help of its graphs that we observe humanity through its history. The graphs – demographic\, economic\, technological and so on – reveal the climax of a millennial horizontal path that suddenly suffers from a vertical surge in progressive acceleration\, apparently an unstoppable one\, which has been set in a handful of generations’ span.\nThe humanity has been collapsing into the progress acceleration up until today\, but some of its traits remain the same: dreams\, emotions\, unconscious\, feelings. \nAll these elements slide from the contemporary individual’s control\, who cannot manage them through progress logic\, rules and horizons. The same progress that alienates humanity. These traits remain the only elements that characterize each person\, recalling him back to his nature.\nThe verticalization imposed by the progress\, switches the paradigm of man’s belonging to nature\, changing it into the belonging of nature to man.\nBut the nature metamorphosis from a subject into a lifeless object entails the same destiny for humanity. An equation which can clearly be read in Stefano Invernizzi‘s artworks. \nHis arworks are based on the relationship between man and industrial products. This is not an easy equation: who is the subject and who is the object; who\, between man and object\, is provided of will and whom is the result of this will? This is unknown.\nProportion\, definition\, location of the objects represented by Stefano Invernizzi\, impose themselves on a Lilliputian humanity unaware of its position in the game of roles. \nConstantin Migliorini’s subjects are naked human bodies\, as refined as anonymous\, objectified\, confused\, placed on no perspective geometric plans\, with silhouettes of other bodies\, in an ethereal relationship\, within aurea and dreamlike textures.\nA more or less academic realism plays a contrasting role that enhances the dreamlike or surrealist narratives in the artworks of these two artists. A more direct and univocal expressive language is the one used by Giuseppe Tattarletti and Alessandro Negri.\nIn Negri’s masterful works\, created through a strong graphic accent\, Eros is set at the helm\, while Thanatos surrounds him: eroticism is explicit\, even if nothing leads to pure satisfaction. \nIn Tattarletti’s sculptures the roles of these two gods of mythology are reversed:\nthe suffering of a neglected humanity is explicit and it seems to denounce the conflict between the social system and the individual\, between the “normality” behave acted by compliant masses and individual loneliness that converts “normality” itself into madness and alienation.\nBetween the realism of Invernizzi and Migliorini and the expressivity of Tattarletti and Negri\, you will find the elegance of Igor De Marchi’s paintings.\nElegance that is a synthesis of realism and expressiveness. It evokes Renaissance painting in spite of his marked contemporary character: De Marchi’s work can be located between the cracks of conscious and stubborn resistance to the compact\, unavoidable wall of the “hypermass” and its social system.\nDe Marchi says of his work: “I imagine a theatrical stage\, where each character plays himself showing strength and fragility. Black colour represents the unconscious in which past and often removed impulses live”. \nFebruary 2020\nFrancesco Falcolini \n  \nARTISTS\nIgor De Marchi\nStefano Invernizzi\nConstantin Migliorini\nAlessandro Negri\nGiuseppe Tattarletti URL:https://www.spazioartecontemporanea.com/en/evento/human-topic-and-variations/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2020/09/eng-UMANO.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20200111T160000 DTEND;TZID=UTC:20200726T193000 DTSTAMP:20260418T163407 CREATED:20191220T152154Z LAST-MODIFIED:20241108T091059Z UID:18712-1578758400-1595791800@www.spazioartecontemporanea.com SUMMARY:MANY DESCRIPTION:Francesco Quadri solo exhibition \nIt’s the first time that I can talk about my paintings and describing them I can feel the emotion dominating my words and my art. My works have an instinctive origin which is far from a precise and organic meaning. \nThe movement of a pencil on a sheet of paper represented my first form of communication\, before writing\, maybe before speaking too. I remember the first subjects that grabbed my imagination: chickens. I do not remember at all what triggered the real stimulus to portray one of the most awkward feathered of the Earth\, but certainly on the first attempt\, then through the second and the third\, a growing love was born in reproducing the things of the world. \nThe enthusiasm to duplicate and represent them has grown endlessly\, often through irrationality. Only after many years experimenting\, I began to give an order and a clear direction to my artworks. For this reason my first real exhibition was born\, besides the intuition and generosity of Nicoletta Candiani\, SAC’ owner and art curator\, while putting together some paintings that belong to a common vision. The “Many” shows places\, contexts\, events in which the mass plays the leading role. There are countless individuals within a crowd\, but the main protagonist is the crowd itself. The group\, the mass\, might cause the observer’ exaltation or terror\, but it prevails anyway on individuals. Here is the fascination that leads me to portray situations of this type\, contexts where so many souls and things can coexist\, the so called “Many”. \nSince I started my personal research for “Many”\, I found very useful rigid\, light and smooth supports\, which allowed me to handle them easily\, often working on the table\, or holding the board directly on my knees (to enrich my orthopedist’s wallet)\, and the possibility of operating with various and different techniques. Last but not least\, homogeneity and smoothness allow me to reach the most precise level of line detail. So the wooden boards\, treated plywood\, in particular the lamellar one\, or the multifaceted and fascinating polyplat (which I prefer to call\, for my aesthetic weakness\, “reinforced paper”)\, represent excellent interfaces for my language. \nI use different painting techniques according to the subject I paint. The ink\, distributed by very thin markers (no more than 0.2 mm)\, constitutes the skeleton of each painting. In certain artworks watercolor shading helps me to represent threedimensionality. The acrylic is often used in dense and flat brush strokes to create full-color spaces on which the multitudes of “Many” stand out. An architecture of different materials that live together making the harmony that I have imagined in my mind and in my eyes real. The “Many” are conceived in motion\, they are the transposition of cinematographic frames. Every single “Many” situation depicted represents virtual environments that I will capture in a film one day. \n\n \n \n \n \n \n \n \n \n \n RIPRESA DELLE ATTIVITA’. 2019. Inchiostro e acrilico su carta rinforzata. 50 x 68 cm.\n \n \n \n \n \n \n \n \n VIENE GIU’ IL TEATRO. 2018. Inchiostro\, acquerello e acrilico su legno. 50 x 50 cm.\n \n \n \n \n \n \n \n \n NON E’ UN RITRATTO A MYSS KETA. 2019. Inchiostro\, acquerello e acrilico su legno. 53 x 24\,5 cm.\n \n \n\nARTIST BIOGRAPHY\nFrancesco was born in 1989 in Bergamo\, Italy. He graduated at the Art High School of Bergamo in 2008. He studied History of Cinema in Turin\, graduating in 2012. In 2018 he graduated in directing and advertising production at the Experimental Center of Cinematography in Milan. At the same time he worked as a visualizer\, storyboard-artist and illustrator. He currently lives and works in Milan\, mainly as a director and advertising producer\, at the same time he goes on with his pictorial and illustrator activity. \nhttps://www.instagram.com/francescoquadri/?hl=it \nhttps://www.facebook.com/francesco.quadri.art/ URL:https://www.spazioartecontemporanea.com/en/evento/many/ CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2019/12/FINESTRE-1-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20200111T160000 DTEND;TZID=UTC:20200726T193000 DTSTAMP:20260418T163407 CREATED:20191220T152154Z LAST-MODIFIED:20191220T152154Z UID:15661-1578758400-1595791800@www.spazioartecontemporanea.com SUMMARY:TANTI DESCRIPTION:Mostra personale di Francesco Quadri. URL:https://www.spazioartecontemporanea.com/en/evento/tanti/ END:VEVENT END:VCALENDAR