BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Spazio Arte Contemporanea - ECPv6.16.3//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.spazioartecontemporanea.com/en/ X-WR-CALDESC:Events for Spazio Arte Contemporanea REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20191027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20180101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20201030T080000 DTEND;TZID=Europe/Rome:20211119T170000 DTSTAMP:20260812T013048 CREATED:20211030T093233Z LAST-MODIFIED:20241108T091738Z UID:18718-1604044800-1637341200@www.spazioartecontemporanea.com SUMMARY:Levitating / Suspensions DESCRIPTION:October 30 – December 19 2021\nFrancesco Damiani solo exhibition \nThe organic sculptures of Francesco Damiani stretch out towards the space creating a dialogue with the spectator. The ensemble of full and empty volumes tells a story\, it tells both intimate and far tales.  \nThe abstraction of the subject shapes itself and goes beyond itself\, the lines become words\, the geometry becomes paragraphs reorganised into personal diaries.  \nThe sculpture comes out of the idea of its static nature and heaviness to turn into light suspensions\, made by modules that dovetail and reverberate each other\, modifying themselves in time and space.  \nThe used materials are playful in their colours and textures as they are experienced by our sight and touch. They evoke our childhood.  \nThe artist uses a large amount of cellulose and rubber dough\, the “light clay” employed by children in Orient to achieve familiarity with clay.  \nDamiani uses secondary shades to represent light through its refraction. Colours\, which are the result of a perceptual illusion\, grab the contemporary world vibrations and they infuse its tremor.  \nThe chemical studies of Damiani influence the artworks appearance with references to cellular morphology\, thin layers of organised matter and evolutionary forms that interrogate the limit between organic and living being.  \nThe sculptures integrate and perfectly conform to the surroundings\, revolutionising the space and blending with it into one\, creating novel shapes for the specific set-up.  \nThe exhibition title is inspired by the homonymous Dua Lipa’s song to refer to the pop inspiration of the artist\, revealed by colours\, playfulness and lightness of his artworks. They are so lightweight that they become alive and levitate in the air.  \nThe exhibition subheading “Suspensions” is a cross reference to Jhon Cage’s suspensions (The silence\, 1961) and refers to the chemical meaning of the word. A suspension is a dispersion\, an heterogeneous blend\, in which a solid phase with microscopic particle dimension dissolves into a dispersed liquid phase which is not able to sediment in a short period of time.  \nThe artist’s personal interpretation of the suspension is wait\, judgement postponement\, it means also the capability of being not in a rush\, to trust others and ourselves\, to concede freedom as his artworks are a freedom symbol. \n \nARTIST BIOGRAPHY\nFrancesco Damiani was born in Bari\, is now working in Emilia. He studied chemistry at Bari University and at Fiat Research Center in Torino. Art and design enthusiastic\, he attended Tam Tam school of Guerriero\, Mendini and Dalisi in Milan. He has been a collector adviser in the design field. Currently\, he dedicates himself to teaching and art. \nEXHIBITION\nI’m like you at 17\, QU4RANTAN9VE\, Reggio Emilia\, 2018.\nXXXX\, Galleria Samma\, Urbino\, 2020. \nCONTACT\nhttps://www.instagram.com/damiani.francesco1975/?hl=it\nhttps://www.francescodamianiartwork.com URL:https://www.spazioartecontemporanea.com/en/evento/levitating-suspensions/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2022/01/MG_0848-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20200912T080000 DTEND;TZID=Europe/Rome:20201115T170000 DTSTAMP:20260812T013048 CREATED:20200912T081813Z LAST-MODIFIED:20241108T091327Z UID:18715-1599897600-1605459600@www.spazioartecontemporanea.com SUMMARY:Human\, topic and variations DESCRIPTION:September 12 – November 15\, 2020 \nThis collective exhibition\, “Human\, theme and variations”\, focuses on the analysis of elements that characterize each individual: dream\, emotion\, the unconscious\, feelings.\nAll aspects that escape the control of contemporary man\, who cannot manage them through logic and defined rules and which nevertheless remain the only traits that characterize him\, recalling him to his nature. \n“We introduce this exhibition with the best guide tool of our time: statistics. It is with the help of its graphs that we observe humanity through its history. The graphs – demographic\, economic\, technological and so on – reveal the climax of a millennial horizontal path that suddenly suffers from a vertical surge in progressive acceleration\, apparently an unstoppable one\, which has been set in a handful of generations’ span.\nThe humanity has been collapsing into the progress acceleration up until today\, but some of its traits remain the same: dreams\, emotions\, unconscious\, feelings. \nAll these elements slide from the contemporary individual’s control\, who cannot manage them through progress logic\, rules and horizons. The same progress that alienates humanity. These traits remain the only elements that characterize each person\, recalling him back to his nature.\nThe verticalization imposed by the progress\, switches the paradigm of man’s belonging to nature\, changing it into the belonging of nature to man.\nBut the nature metamorphosis from a subject into a lifeless object entails the same destiny for humanity. An equation which can clearly be read in Stefano Invernizzi‘s artworks. \nHis arworks are based on the relationship between man and industrial products. This is not an easy equation: who is the subject and who is the object; who\, between man and object\, is provided of will and whom is the result of this will? This is unknown.\nProportion\, definition\, location of the objects represented by Stefano Invernizzi\, impose themselves on a Lilliputian humanity unaware of its position in the game of roles. \nConstantin Migliorini’s subjects are naked human bodies\, as refined as anonymous\, objectified\, confused\, placed on no perspective geometric plans\, with silhouettes of other bodies\, in an ethereal relationship\, within aurea and dreamlike textures.\nA more or less academic realism plays a contrasting role that enhances the dreamlike or surrealist narratives in the artworks of these two artists. A more direct and univocal expressive language is the one used by Giuseppe Tattarletti and Alessandro Negri.\nIn Negri’s masterful works\, created through a strong graphic accent\, Eros is set at the helm\, while Thanatos surrounds him: eroticism is explicit\, even if nothing leads to pure satisfaction. \nIn Tattarletti’s sculptures the roles of these two gods of mythology are reversed:\nthe suffering of a neglected humanity is explicit and it seems to denounce the conflict between the social system and the individual\, between the “normality” behave acted by compliant masses and individual loneliness that converts “normality” itself into madness and alienation.\nBetween the realism of Invernizzi and Migliorini and the expressivity of Tattarletti and Negri\, you will find the elegance of Igor De Marchi’s paintings.\nElegance that is a synthesis of realism and expressiveness. It evokes Renaissance painting in spite of his marked contemporary character: De Marchi’s work can be located between the cracks of conscious and stubborn resistance to the compact\, unavoidable wall of the “hypermass” and its social system.\nDe Marchi says of his work: “I imagine a theatrical stage\, where each character plays himself showing strength and fragility. Black colour represents the unconscious in which past and often removed impulses live”. \nFebruary 2020\nFrancesco Falcolini \n  \nARTISTS\nIgor De Marchi\nStefano Invernizzi\nConstantin Migliorini\nAlessandro Negri\nGiuseppe Tattarletti URL:https://www.spazioartecontemporanea.com/en/evento/human-topic-and-variations/ LOCATION:Spazio Arte Contemporanea\, via Carducci 2\, Robecchetto con Induno\, 20020\, Italia CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2020/09/eng-UMANO.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20200111T160000 DTEND;TZID=UTC:20200726T193000 DTSTAMP:20260812T013048 CREATED:20191220T152154Z LAST-MODIFIED:20241108T091059Z UID:18712-1578758400-1595791800@www.spazioartecontemporanea.com SUMMARY:MANY DESCRIPTION:Francesco Quadri solo exhibition \nIt’s the first time that I can talk about my paintings and describing them I can feel the emotion dominating my words and my art. My works have an instinctive origin which is far from a precise and organic meaning. \nThe movement of a pencil on a sheet of paper represented my first form of communication\, before writing\, maybe before speaking too. I remember the first subjects that grabbed my imagination: chickens. I do not remember at all what triggered the real stimulus to portray one of the most awkward feathered of the Earth\, but certainly on the first attempt\, then through the second and the third\, a growing love was born in reproducing the things of the world. \nThe enthusiasm to duplicate and represent them has grown endlessly\, often through irrationality. Only after many years experimenting\, I began to give an order and a clear direction to my artworks. For this reason my first real exhibition was born\, besides the intuition and generosity of Nicoletta Candiani\, SAC’ owner and art curator\, while putting together some paintings that belong to a common vision. The “Many” shows places\, contexts\, events in which the mass plays the leading role. There are countless individuals within a crowd\, but the main protagonist is the crowd itself. The group\, the mass\, might cause the observer’ exaltation or terror\, but it prevails anyway on individuals. Here is the fascination that leads me to portray situations of this type\, contexts where so many souls and things can coexist\, the so called “Many”. \nSince I started my personal research for “Many”\, I found very useful rigid\, light and smooth supports\, which allowed me to handle them easily\, often working on the table\, or holding the board directly on my knees (to enrich my orthopedist’s wallet)\, and the possibility of operating with various and different techniques. Last but not least\, homogeneity and smoothness allow me to reach the most precise level of line detail. So the wooden boards\, treated plywood\, in particular the lamellar one\, or the multifaceted and fascinating polyplat (which I prefer to call\, for my aesthetic weakness\, “reinforced paper”)\, represent excellent interfaces for my language. \nI use different painting techniques according to the subject I paint. The ink\, distributed by very thin markers (no more than 0.2 mm)\, constitutes the skeleton of each painting. In certain artworks watercolor shading helps me to represent threedimensionality. The acrylic is often used in dense and flat brush strokes to create full-color spaces on which the multitudes of “Many” stand out. An architecture of different materials that live together making the harmony that I have imagined in my mind and in my eyes real. The “Many” are conceived in motion\, they are the transposition of cinematographic frames. Every single “Many” situation depicted represents virtual environments that I will capture in a film one day. \n\n \n \n \n \n \n \n \n \n \n RIPRESA DELLE ATTIVITA’. 2019. Inchiostro e acrilico su carta rinforzata. 50 x 68 cm.\n \n \n \n \n \n \n \n \n VIENE GIU’ IL TEATRO. 2018. Inchiostro\, acquerello e acrilico su legno. 50 x 50 cm.\n \n \n \n \n \n \n \n \n NON E’ UN RITRATTO A MYSS KETA. 2019. Inchiostro\, acquerello e acrilico su legno. 53 x 24\,5 cm.\n \n \n\nARTIST BIOGRAPHY\nFrancesco was born in 1989 in Bergamo\, Italy. He graduated at the Art High School of Bergamo in 2008. He studied History of Cinema in Turin\, graduating in 2012. In 2018 he graduated in directing and advertising production at the Experimental Center of Cinematography in Milan. At the same time he worked as a visualizer\, storyboard-artist and illustrator. He currently lives and works in Milan\, mainly as a director and advertising producer\, at the same time he goes on with his pictorial and illustrator activity. \nhttps://www.instagram.com/francescoquadri/?hl=it \nhttps://www.facebook.com/francesco.quadri.art/ URL:https://www.spazioartecontemporanea.com/en/evento/many/ CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2019/12/FINESTRE-1-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20200111T160000 DTEND;TZID=UTC:20200726T193000 DTSTAMP:20260812T013048 CREATED:20191220T152154Z LAST-MODIFIED:20191220T152154Z UID:15661-1578758400-1595791800@www.spazioartecontemporanea.com SUMMARY:TANTI DESCRIPTION:Mostra personale di Francesco Quadri. URL:https://www.spazioartecontemporanea.com/en/evento/tanti/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20200111T160000 DTEND;TZID=UTC:20200315T193000 DTSTAMP:20260812T013048 CREATED:20191220T152239Z LAST-MODIFIED:20191220T152239Z UID:15597-1578758400-1584300600@www.spazioartecontemporanea.com SUMMARY:MANY DESCRIPTION:Francesco Quadri solo exhibition. URL:https://www.spazioartecontemporanea.com/en/evento/many/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20200111T160000 DTEND;TZID=UTC:20200315T193000 DTSTAMP:20260812T013048 CREATED:20191220T152239Z LAST-MODIFIED:20191220T152239Z UID:17332-1578758400-1584300600@www.spazioartecontemporanea.com SUMMARY:MANY DESCRIPTION:Francesco Quadri solo exhibition. URL:https://www.spazioartecontemporanea.com/en/evento/many-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191223T000000 DTEND;TZID=UTC:20200107T233000 DTSTAMP:20260812T013048 CREATED:20191220T141123Z LAST-MODIFIED:20191220T141123Z UID:17334-1577059200-1578439800@www.spazioartecontemporanea.com SUMMARY:Christmas closing DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/christmas-closing-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191223T000000 DTEND;TZID=UTC:20200107T233000 DTSTAMP:20260812T013048 CREATED:20191220T141123Z LAST-MODIFIED:20191220T141123Z UID:15652-1577059200-1578439800@www.spazioartecontemporanea.com SUMMARY:Christmas closing DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/christmas-closing/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191223T000000 DTEND;TZID=UTC:20200107T233000 DTSTAMP:20260812T013048 CREATED:20191220T141034Z LAST-MODIFIED:20191220T141034Z UID:17333-1577059200-1578439800@www.spazioartecontemporanea.com SUMMARY:Chiusura periodo Natalizio DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/chiusura-periodo-natalizio-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191223T000000 DTEND;TZID=UTC:20200107T233000 DTSTAMP:20260812T013048 CREATED:20191220T141034Z LAST-MODIFIED:20191220T141034Z UID:15651-1577059200-1578439800@www.spazioartecontemporanea.com SUMMARY:Chiusura periodo Natalizio DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/chiusura-periodo-natalizio/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191213T210000 DTEND;TZID=UTC:20191213T235900 DTSTAMP:20260812T013048 CREATED:20191206T163730Z LAST-MODIFIED:20191206T163730Z UID:15596-1576270800-1576281540@www.spazioartecontemporanea.com SUMMARY:Espressione Libera in Danza DESCRIPTION:Evento di chiusura della mostra collettiva di arte contemporanea “Espressione Libera”\, un intenso dialogo tra danza contemporanea e le opere in mostra. URL:https://www.spazioartecontemporanea.com/en/evento/espressione-libera-in-danza/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191213T210000 DTEND;TZID=UTC:20191213T235900 DTSTAMP:20260812T013048 CREATED:20191206T163730Z LAST-MODIFIED:20191206T163730Z UID:17331-1576270800-1576281540@www.spazioartecontemporanea.com SUMMARY:Espressione Libera in Danza DESCRIPTION:Evento di chiusura della mostra collettiva di arte contemporanea “Espressione Libera”\, un intenso dialogo tra danza contemporanea e le opere in mostra. URL:https://www.spazioartecontemporanea.com/en/evento/espressione-libera-in-danza-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191213T210000 DTEND;TZID=UTC:20191213T230000 DTSTAMP:20260812T013048 CREATED:20191206T163753Z LAST-MODIFIED:20191206T163753Z UID:15592-1576270800-1576278000@www.spazioartecontemporanea.com SUMMARY:Free Expression closing event DESCRIPTION:[cmsmasters_row data_shortcode_id=”injb775ngk” data_padding_bottom_mobile_v=”0″ data_padding_top_mobile_v=”0″ data_padding_bottom_mobile_h=”0″ data_padding_top_mobile_h=”0″ data_padding_bottom_tablet=”0″ data_padding_top_tablet=”0″ data_padding_bottom_laptop=”0″ data_padding_top_laptop=”0″ data_padding_bottom_large=”0″ data_padding_top_large=”0″ data_padding_bottom=”50″ data_padding_top=”0″ data_bg_parallax_ratio=”0.5″ data_bg_size=”cover” data_bg_attachment=”scroll” data_bg_repeat=”no-repeat” data_bg_position=”top center” data_color=”default” data_bot_style=”default” data_top_style=”default” data_padding_right=”3″ 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data_color=”default” data_bot_style=”default” data_top_style=”default” data_padding_right=”3″ data_padding_left=”3″ data_width=”boxed”][cmsmasters_column data_width=”1/1″ data_shortcode_id=”4gyh887ujo” data_animation_delay=”0″ data_border_style=”default” data_bg_size=”cover” data_bg_attachment=”scroll” data_bg_repeat=”no-repeat” data_bg_position=”top center”] \n[cmsmasters_social shortcode_id=”wi1qvotta4″ facebook=”true” twitter=”true” pinterest=”true” type=”horizontal” animation_delay=”0″] \n[/cmsmasters_column][/cmsmasters_row] URL:https://www.spazioartecontemporanea.com/en/evento/free-expression-closing-event/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20191213T210000 DTEND;TZID=UTC:20191213T230000 DTSTAMP:20260812T013048 CREATED:20191206T163753Z LAST-MODIFIED:20191206T163753Z UID:17330-1576270800-1576278000@www.spazioartecontemporanea.com SUMMARY:Free Expression closing event DESCRIPTION:[cmsmasters_row data_shortcode_id=”injb775ngk” data_padding_bottom_mobile_v=”0″ 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data_padding_top_mobile_h=”0″ data_padding_bottom_tablet=”0″ data_padding_top_tablet=”0″ data_padding_bottom_laptop=”0″ data_padding_top_laptop=”0″ data_padding_bottom_large=”0″ data_padding_top_large=”0″ data_padding_bottom=”50″ data_padding_top=”0″ data_bg_parallax_ratio=”0.5″ data_bg_size=”cover” data_bg_attachment=”scroll” data_bg_repeat=”no-repeat” data_bg_position=”top center” data_color=”default” data_bot_style=”default” data_top_style=”default” data_padding_right=”3″ data_padding_left=”3″ data_width=”boxed”][cmsmasters_column data_width=”1/1″ data_shortcode_id=”itwvsm09zl” data_animation_delay=”0″ data_border_style=”default” data_bg_size=”cover” data_bg_attachment=”scroll” data_bg_repeat=”no-repeat” data_bg_position=”top center”][cmsmasters_text shortcode_id=”emmc948pn” animation_delay=”0″] \n \nThe finishing of “Free Expression” exhibition\, an intense dialogue between contemporary dance art and SAC displayed artworks. \n[/cmsmasters_text][/cmsmasters_column][/cmsmasters_row][cmsmasters_row data_shortcode_id=”13zh5pe9ck” data_padding_bottom_mobile_v=”0″ data_padding_top_mobile_v=”0″ data_padding_bottom_mobile_h=”0″ data_padding_top_mobile_h=”0″ data_padding_bottom_tablet=”0″ data_padding_top_tablet=”0″ data_padding_bottom_laptop=”0″ data_padding_top_laptop=”0″ data_padding_bottom_large=”0″ data_padding_top_large=”0″ data_padding_bottom=”50″ data_padding_top=”0″ data_bg_parallax_ratio=”0.5″ data_bg_size=”cover” data_bg_attachment=”scroll” data_bg_repeat=”no-repeat” data_bg_position=”top center” data_color=”default” data_bot_style=”default” data_top_style=”default” data_padding_right=”3″ data_padding_left=”3″ data_width=”boxed”][cmsmasters_column data_width=”1/1″ data_shortcode_id=”4gyh887ujo” data_animation_delay=”0″ data_border_style=”default” data_bg_size=”cover” data_bg_attachment=”scroll” data_bg_repeat=”no-repeat” data_bg_position=”top center”] \n[cmsmasters_social shortcode_id=”wi1qvotta4″ facebook=”true” twitter=”true” pinterest=”true” type=”horizontal” animation_delay=”0″] \n[/cmsmasters_column][/cmsmasters_row] URL:https://www.spazioartecontemporanea.com/en/evento/free-expression-closing-event-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190921T143000 DTEND;TZID=UTC:20191215T193000 DTSTAMP:20260812T013048 CREATED:20241106T104319Z LAST-MODIFIED:20241108T090745Z UID:18708-1569076200-1576438200@www.spazioartecontemporanea.com SUMMARY:Free Expression DESCRIPTION:September 21 – december 15\, 2019 \n“Free Expression” is the first SAC collective contemporary art exhibition\, taking place in Robecchetto con Induno\, Milan. \nSAC art curator\, Nicoletta Candiani\, has studied a particular exhibition setting up in order to enhance every involved artist’s thought. \nThe exhibition basic concept is to let the artists’ creative potential be free to manifest without any constraint. The artist is the real exhibition protagonist\, he is the only one who chooses what to show to the audience. \nDuring her visits in artists’ atelier\, Nicoletta notices the particular effect that certain artworks provoke to her senses. She is often impressed by the ones which are spontaneously created by the artist\, the ones which are described as “made for myself” by their author.She thinks that these artworks are special because they overcome a commercial aim\, personifying their creator thought in a better way. \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\nARTISTS\nDiego Asperges \nGiulia Bottiani \nGiorgio Figini \nLio \nFrancesca Manetta \nStefano Marangon \nMarta Mezynska \nAlessandro Negri \nFabrizio Vendramin URL:https://www.spazioartecontemporanea.com/en/evento/free-expression/ CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://www.spazioartecontemporanea.com/wp-content/uploads/2019/09/ESPRESSIONE-LIBERA.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190921T143000 DTEND;TZID=UTC:20191215T193000 DTSTAMP:20260812T013048 CREATED:20190801T063950Z LAST-MODIFIED:20190801T063950Z UID:15436-1569076200-1576438200@www.spazioartecontemporanea.com SUMMARY:Free expression DESCRIPTION:Collective contemporary art exhibition. URL:https://www.spazioartecontemporanea.com/en/evento/free-expression/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190921T143000 DTEND;TZID=UTC:20191215T193000 DTSTAMP:20260812T013048 CREATED:20190801T063950Z LAST-MODIFIED:20190801T063950Z UID:17315-1569076200-1576438200@www.spazioartecontemporanea.com SUMMARY:Free expression DESCRIPTION:Collective contemporary art exhibition. URL:https://www.spazioartecontemporanea.com/en/evento/free-expression-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190921T143000 DTEND;TZID=UTC:20191215T193000 DTSTAMP:20260812T013048 CREATED:20190801T063635Z LAST-MODIFIED:20190801T063635Z UID:15434-1569076200-1576438200@www.spazioartecontemporanea.com SUMMARY:Espressione libera DESCRIPTION:Mostra collettiva di arte contemporanea. URL:https://www.spazioartecontemporanea.com/en/evento/espressione-libera/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190921T143000 DTEND;TZID=UTC:20191215T193000 DTSTAMP:20260812T013048 CREATED:20190801T063635Z LAST-MODIFIED:20190801T063635Z UID:17314-1569076200-1576438200@www.spazioartecontemporanea.com SUMMARY:Espressione libera DESCRIPTION:Mostra collettiva di arte contemporanea. URL:https://www.spazioartecontemporanea.com/en/evento/espressione-libera-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190729T000000 DTEND;TZID=UTC:20190827T233000 DTSTAMP:20260812T013048 CREATED:20190801T062552Z LAST-MODIFIED:20190801T062552Z UID:15432-1564358400-1566948600@www.spazioartecontemporanea.com SUMMARY:Summer closing DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/summer-closing/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190729T000000 DTEND;TZID=UTC:20190827T233000 DTSTAMP:20260812T013048 CREATED:20190801T062552Z LAST-MODIFIED:20190801T062552Z UID:17313-1564358400-1566948600@www.spazioartecontemporanea.com SUMMARY:Summer closing DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/summer-closing-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190729T000000 DTEND;TZID=UTC:20190827T233000 DTSTAMP:20260812T013048 CREATED:20190801T061144Z LAST-MODIFIED:20190801T061144Z UID:15424-1564358400-1566948600@www.spazioartecontemporanea.com SUMMARY:Chiusura Estiva DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/chiusura-estiva/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190729T000000 DTEND;TZID=UTC:20190827T233000 DTSTAMP:20260812T013048 CREATED:20190801T061144Z LAST-MODIFIED:20190801T061144Z UID:17312-1564358400-1566948600@www.spazioartecontemporanea.com SUMMARY:Chiusura Estiva DESCRIPTION: URL:https://www.spazioartecontemporanea.com/en/evento/chiusura-estiva-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190523T193000 DTEND;TZID=UTC:20190915T193000 DTSTAMP:20260812T013048 CREATED:20190801T064811Z LAST-MODIFIED:20190801T064811Z UID:15440-1558639800-1568575800@www.spazioartecontemporanea.com SUMMARY:From objective to subjective: history of a construction DESCRIPTION:Photographic exhibition by Giulia Bottiani. URL:https://www.spazioartecontemporanea.com/en/evento/from-objective-to-subjective-history-of-a-construction/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190523T193000 DTEND;TZID=UTC:20190915T193000 DTSTAMP:20260812T013048 CREATED:20190801T064811Z LAST-MODIFIED:20190801T064811Z UID:17317-1558639800-1568575800@www.spazioartecontemporanea.com SUMMARY:From objective to subjective: history of a construction DESCRIPTION:Photographic exhibition by Giulia Bottiani. URL:https://www.spazioartecontemporanea.com/en/evento/from-objective-to-subjective-history-of-a-construction-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20190523T193000 DTEND;TZID=UTC:20190915T193000 DTSTAMP:20260812T013048 CREATED:20190801T064438Z LAST-MODIFIED:20241108T090352Z UID:18706-1558639800-1568575800@www.spazioartecontemporanea.com SUMMARY:From objective to subjective. History of a construction DESCRIPTION:Architectural photography existed since photography itself existed. It initially pursued the aim of offering images as collections of monuments memory and building documentation for scientific and educational purposes. During the nineteenth century the documentation of the construction and restoration phases of buildings became a fundamental photographers assignment. This is the age of objective reality\, of photography reflecting the truth while maintaining its own authorship. \nBut then does authorship not refer to a subjectivity? “Everyone will be compelled to see that which is optically true\, is explicable in its own terms\, is objective\, before he can arrive at any possible subjective position” (Moholy – Nagy\, 1925). \nHere is the interpretation of the object\, the building\, that unfolds in this exhibition itinerary. From a conservative and documentation photography we reach a photography that analyses reality critically. The ability of reinterpreting spaces through unusual points of view becomes the subject . \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\nGiulia Bottiani\nGraduated in Architecture at Polytechnic of Milan\, she began taking photographs during university studies\, gaining interest in architectural photography and man-made landscape. Her studies focused on the developement of technical knowledge related to design allow her to be able to give a particular and specific interpretation of architecture through photography. After graduating\, she earned a Master in Photography and Visual Design at Naba in Milan. In 2016\, she worked at CAMERA\, the Italian Center for Photography in Turin as a curatorial assistant. In 2017\, she collaborated with Lorenza Bravetta in the organization of the General States of Photography\, organized by the Ministry of Cultural Heritage and Activities and Tourism. Since 2012\, she has held teaching support roles in the Faculties of Civil Architecture and in the School of Design at the Politecnico di Milano. She has a collective exhibition at the Milan Triennale and several editorial publications between books and magazines in the context of the debate on contemporary architecture. \n  URL:https://www.spazioartecontemporanea.com/en/evento/from-objective-to-subjective-history-of-a-construction/ CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.spazioartecontemporanea.com/wp-content/uploads/2019/05/Robecchetto_230519-1679.jpg END:VEVENT END:VCALENDAR